The jury and the public have had their say — feast your eyes on the winners of Architizer’s 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates. How can we transform our airport experience, which marks the beginning of our journey, […]
InspirationArchitects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters. Homogenous. Boring. Bulky. Ugly. These are some of the characterizations Athenians use to describe the buildings in which they live. The famous polykatoikia is a multi-housing apartment block whose […]
InspirationArchitects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters. Interior design reflects the values of modern life. Today, spaces are increasingly shaped by sustainability, wellness and new aesthetic approaches as designers draw from local contexts. From the choice […]
InspirationSections are some of my favorite types of architecture illustrations to create because of how well they show the relationship of exterior to interior. Traditionally, section drawings are illustrated perpendicular to the cut with minimal perspective and presented in a much more diagrammatic way. Much […]
Visualizing ArchitectureSections are some of my favorite types of architecture illustrations to create because of how well they show the relationship of exterior to interior. Traditionally, section drawings are illustrated perpendicular to the cut with minimal perspective and presented in a much more diagrammatic way. Much of the earlier sections that I illustrated on this site maintained this simplistic and minimal look. However, The way I have approached them in my last few projects was by treating them more like a standard perspective illustration showing lots of textures and shading. This method of showing perspective makes the visual more engaging and in my opinion, easier to read.
I also start out many of my sections with these grand plans to use lots of color but I ultimately end up making them black and white. There is a lot going on in section illustrations to the point that adding color can get a bit busy and overpowering. desaturating the sections maintains some of that diagrammatic feel. I even tried adding color to just the section cut, but this made the cut pop way too much and again became too distracting.
I created two building sections for the MIT project. To switch things up a little, I layered in lots of fog and atmospheric lighting. Part of why I created these sections was to force me to figure out the interior floor plan and spaces which I have been putting off ever since I started this project. I was going to generate some perspective floor plans for this post as well but ran out of time. Below are some of the base files I used create the section illustrations. Because these illustrations are more diagrammatic, this put less pressure on needing to develop a detailed model for the interiors.
To start things out, I really only needed 3 base renderings from V-Ray: A rendering of the model with no materials, and rendering with materials turned on, and a Material ID rendering for making quick and easy selections.
I started with the clay rendering and adjusted the levels to increase the contrast. The idea being that I wanted the highights on the section cut to read more strongly against the darker interior spaces.
Next, I layered in materials and textures. Some of this came from the V-Ray base rendering with materials. Others came from manually photoshopping in dirt and grunge. I also added in a dark sky and gave a gradient to the section cut.
At this point, the image was getting too dark so I started to lighten things up with another levels adjustment, but by also painting in some fog across the entire image. You can also see the sky now has much more of a gradient as well. The left back building was also lightened to create more of a contrast between the background and foreground elements.
The second layering of fog focused on texture and overall image gradient. I wanted the building to feel like it was receding so fog was painted in more more heavily on the right side. As I was painting in the thick fog, I was also switching between dark and light paint so that an overall gradient of light to dark started to appear. Light was focused at the top right of the image, and vignetting in the bottom left. Finally, some additional texturing using miscellaneous cloud textures was used to give the fog some complexity. This texturing was very subtle but really goes a long way in giving the fog a more natural feel.
I ended up taking the second section cut a little lighter, but still very foggy. This image was originally rendered out as a horizontal layout but the proportions and composition felt off so I significantly cropped things out on the right.
And below are some of my past sections including one only seen in Portfolio Volume 05
The 47th Krob Competition has put out a call for entries. Categories include Digital/Hybrid Media, Hand Delineation, Physical Delineation, Travel Sketch, and Animation. The 47th Ken Roberts Memorial Competition (KRob) is the longest-running architectural drawing competition in the world. Students and professionals may submit entries […]
Visualizing ArchitectureThe 47th Krob Competition has put out a call for entries. Categories include Digital/Hybrid Media, Hand Delineation, Physical Delineation, Travel Sketch, and Animation. The 47th Ken Roberts Memorial Competition (KRob) is the longest-running architectural drawing competition in the world.
Students and professionals may submit entries in a number of categories including Digital/Hybrid Media, Physical Delineation, Hand Delineation, Travel Sketch, and Animation category.
All entries must be received by Friday, July 9th, 2021 by 11:59 pm CDT
Visit www.KROBARCH.com for more information.
Below are some of the winners from last year:
The past several weeks have been sort of a right-brain focus on image making. I wanted to play around with colors and textures and iterate on style a bit and not get lost in the technical and detailed side of things. However, before I started […]
Visualizing ArchitectureThe past several weeks have been sort of a right-brain focus on image making. I wanted to play around with colors and textures and iterate on style a bit and not get lost in the technical and detailed side of things. However, before I started with the graphic studies, I first needed a good base. I originally was thinking I could accomplish most of what I wanted in Photoshop however I changed my mind and ended up modeling just about everything including the the ground plane textures and paving as well as trees and buildings. While this required more time up front, it meant I could move much quicker once it was time to play around with styles.
I also generated a before and after semi-photoreal illustration of the site plan. Again, because I had modeled most of the geometry, generating these illustrations didn’t take too long. Plus, I like the visual contrast of the abstract diagrams next to the realistic illustrations of the site. Google Earth was used to create many of the textures such as the rubber roofs of the existing context buildings and to age the ground paving and vegetation a bit.
For maximum flexibility, I rendered with both soft and sharp shadows. Sometimes, especially with diagrams, shadows can be distracting and impact clarity so I wanted to have both options ready to go.
The MIT project that I designed is a large intervention on the campus and I thought a before-and-after series of images would help illustrate this idea. As I mentioned above, I extracted a ton of textures from Google Earth screenshots to more accurately depict rooftops and other misc. textures.
Once the before-and-after illustrations were completed, I switched modes and started experimenting. Above all else, I wanted to study color combinations and texture levels as well as test out styles that ranged from minimalist to full on texture and complexity. My Photoshop file had lots of groups and masks setup so that I could adjust colors and textures rapidly. Again, this took a little more time upfront to setup, however, it allowed for super clean edits that didn’t get messy and confusing after hours of playing around. More importantly, it allowed me to really fine tune and dial in things because I had full control of every color and texture. Below are some of the images that were generated from this exercise.
[ By WebUrbanist in Technology & Vehicles & Mods. ] The 20th-century American dream of suburban houses and picket fences unfolded in parallel with another vision: freedom to roam, embodied in camper vans and other mobile housing designs. The increasing costs of city living and […]
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The 20th-century American dream of suburban houses and picket fences unfolded in parallel with another vision: freedom to roam, embodied in camper vans and other mobile housing designs. The increasing costs of city living and desire to escape nine-to-five life has since led to a new generation of creative solutions, ranging from converted camper vans and buses to space-saving sleeping trailers that can be towed behind cars or even two-wheeled vehicles.
Many mobile living creations of this new millennium are actually adaptations of existing vehicles, including do-it-yourself van rehabs as well as professional remodels.
Some are cheap, simple and use recycled materials while others feature more luxurious amenities and higher levels of finish — as with most things, you get what you pay for, whether in dollars or sweat equity.
The more modest exterior appearances of some such livable vans can be deceiving – many stealth campers and DIY RVs include solar-paneled roofs, custom wood trim, flip-down window covers and even flip-up computer desks designed for digital nomads. Many of these features can be all but invisible from the outside.
Wanderers requiring more room for extravehicular activities may require something bigger but presumably still street legal, making buses a natural option for larger-scale mobile makeovers. A city bus has its advantages, including expansive windows for those seeking extra sunlight.
Meanwhile, plain old yellow school buses offer benefits as well, including more standardized design elements to work with. These can be turned into expansive pads of all kinds, whether they are fitted with elegantly curved plywood or sliced, diced and topped with rustic timber frames.
Not everyone can afford the time or money to buy or convert a van or bus. For those who need something smaller that can be hitched to a more traditional vehicle, there are still a lot of clever ways to get the most out of limited trailer space, including pop-outs and auto-expanding rooms that deploy on demand.
Flaps, wings and other folding elements can help bring more outdoor space in, extending interiors to include sheltered zones beyond the limits of whatever one has in tow.
Even a surprisingly small trailer can pack a lot of utility, including running water, power outlets, USB ports and LED lights — some even feature a full modular kitchen for a bit of light glamping. Mounted toolboxes, roof racks and cargo decks can help expand their functionality as well.
Choosing to ride a bike instead of driving a car doesn’t have to mean foregoing the convenience of a camper trailer, though such options may require especially clever construction (not to mention physical endurance) in place of motorized assistance (or at least: an electric assist bicycle).
There may be rules to the roads, but there are practically no limits to the creativity of people who want to live their lives on them. Beyond the realm of conventional conversions are all kinds of creative cars, vans and trucks that are effectively inhabitable art.
It goes without saying that no one knows what the future of mobility will look like, but imagine for a moment a kind of city on rails made up of modules that could be moved from one place to the next, all running on existing train tracks. Consider the advantages for migratory seasonal markets, mobile concert venues and other businesses and events that benefit from moving around throughout the year, embracing a sort of perpetually nomadic urbanism. Hotels, restaurants and other commercial operations see changes in demand throughout a given year and and could conceivably pull up stakes to seek out better opportunities.
It may be an exercise in fantasy, but one has to wonder: what would the world look like if more people could take their architecture with them as they traveled? Between food trucks and container homes and other modular living solutions, not to mention the rise of autonomous vehicles, this prospect is in some ways already grounded in the real world around us. As more and more people move ever more often, working remotely and take their homes and businesses on the road, new typologies for portable spaces will no doubt continue to emerge and surprise us along the way.
The post Outward Mobility: Clever Campers, Trailers & DIY Mobile Home Conversions first appeared on WebUrbanist.
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[ By WebUrbanist in Conceptual & Futuristic & Technology. ] In Newark, New Jersey, a large and deceptively nondescript building is redefining the Garden State, producing millions of pounds of food per year just outside of Manhattan. This 70,000 square foot facility has the equivalent […]
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In Newark, New Jersey, a large and deceptively nondescript building is redefining the Garden State, producing millions of pounds of food per year just outside of Manhattan. This 70,000 square foot facility has the equivalent yield of over 5 million square feet of traditional farmland. Inside, a year-round, closed-loop aeroponics system employs no pesticides and requires 95% less water than field farming. This branch of AeroFarms is not alone — it’s part of a food production revolution with projects ranging from at-home and in-store micro-farms to massive facilities set up in old factories and warehouses around the world.
Technically, vertical farming can be done outside, too, by stacking planters in natural sunlight, but indoor vertical farms offer a range of advantages. Inside, there are no seasons and specialized LED lights make it possible to grow plants continuously and cycle through various crops more easily. The controlled environment and standardization of these systems also makes automation easier. In Japan, approaches have gone predictably high-tech, with endeavors like the Vegetable Factory, which is operated entirely by robots.
Spatial containment makes recycling more efficient, mitigates spoilage and reduces the risk of diseases and pests spreading beyond a specific facility. Transportation costs and energy requirements are also reduced for farms that move into old factories and warehouses right in and around cities, putting them closer to consumers. Aeroponics in general also require less material input — mainly mist and air with minimal water and soil — leading to a lighter footprint.
What started in large and independent facilities has begun to spread into mainstream grocery stores and supermarkets, too. A few years back, Target started testing direct retail micro-farms, beginning with leafy greens before moving to tomatoes, peppers and more. Since these kinds of retail spaces are climate-controlled already for the sake of both shoppers and products, less added energy is required to maintain ideal conditions.
In Berlin, a company called INFARM recently partnered with local shops to provide similar in-store services, cutting down on farm-to-table distance right in the heart of a major European metropolis. Meanwhile, in Tokyo, vertical creepers, rice paddies and broccoli fields were integrated into the design of an otherwise Modern-looking office building, brightening up the place while also providing food for the employee cafeteria.
Taking vertical integration a step further, projects like the ReGen Villages aim to incorporate stacked farms directly into residential communities. It may sound impractical or even Utopian, but at its root the idea is relatively traditional: backyard gardens and community gardening are nothing new. Coupled with walkability and density, these kinds of green-centric towns have a lot in common with New Urbanist ideas that go back decades.
Still, it is generally wise to maintain a healthy skepticism when it comes to fresh green architectural trends and technologies and eye-catching renderings. Skyscrapers covered in greenery (or treescrapers), for instance, have proven to be popular but also problematic in practice (catchy conceptual earthscrapers, groundscrapers and sidescrapers, too, for that matter). Sometimes, more practical organic solutions are hiding in plain sight. Take wood, for instance, a historically popular green building material now finding new forms and reaching new heights in tall buildings around the world. Newer is not always better.
Some extreme vertical farming ideas may indeed prove to be far-fetched and unsustainable, but market movements suggest there is a future in these kinds of facilities and approaches. Investors are putting their money where people’s mouths are, buying up disused urban real estate and developing new indoor farming technologies. Already, vertical farming is a $2,000,000,000 industry and experts project it will grow as much as 30% per year over the next decade.
Vertical farms are of course not a complete solution to ongoing threats like climate change and mounting global food crises, but they do show promise — these endeavors are slowly breaking down urban and rural barriers, reconnecting cities with the food sources that sustain them and shortening that critical distance from farm to table.
The post Localvore Revolution: Vertical Urban Farms Promise to Deliver Greener Produce first appeared on WebUrbanist.
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[ By WebUrbanist in Technology & Vintage & Retro. ] In the wake of World War I, the United Kingdom developed a powerful yet relatively low-tech architectural system for detecting incoming enemy airplanes, the remnants of which can still be found across the countryside. Starting […]
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In the wake of World War I, the United Kingdom developed a powerful yet relatively low-tech architectural system for detecting incoming enemy airplanes, the remnants of which can still be found across the countryside.
Starting in the 1920s, these concrete sound mirrors were built to passively gather, reflect and concentrate acoustic waves, directing the sound to listening posts on the ground — key infrastructure in an extensive early warning alert system.
Incoming sounds were amplified by microphones and listened to by operators wearing headphones. Today, the remains of these mirrors are largely abandoned and in various states of disrepair, though some are protected with walls or fences and accompanied by historical plaques.
Based in Basel, photographer Piercarlo Quecchia discovered the existence of sound mirrors thanks to an album cover featuring one such structure. From there, he began the search out, find and photograph them — 13 in total (all that remain), most of which are located along the southern edge of England.
They may look monolithic and simple, but the curves of these structures were carefully calibrated. The designs were specifically calculated (and sound mirrors accordingly engineered) to pick up aircraft engine noises in particular.
“They represent an incredible demonstration of how sound can generate a physical form,” explains the photographer, in which “both the curvature radius and the dimensions of the dishes are studied and designed according to the sound frequency that they must reflect,” He hopes the series will continue to raise awareness of these artifacts and bolster preservation efforts.
Like the airmail arrows that once guided planes from coast to coast across the United States, it can be easy to overlook such geometrically simple leftovers, at least until an understanding of their historical origins leads people to spot and appreciate them.
The post Acoustic Defense: Photo Series Reflects on Derelict British “Sound Mirrors” first appeared on WebUrbanist.
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[ By WebUrbanist in Technology & Vehicles & Mods. ] According to photographer Xiaoxiao Xu, the Chinese farmers and other rural hobbyists building flying machines from scratch are not in it for fame or fortune. Mostly working out of their own backyards, these creators are […]
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According to photographer Xiaoxiao Xu, the Chinese farmers and other rural hobbyists building flying machines from scratch are not in it for fame or fortune. Mostly working out of their own backyards, these creators are simply trying to find ways to lift themselves up into the air. Some build choppers, others build planes, and others hybrids and experimental aircraft that are tricky to classify.
Xu moved to The Netherlands as a teenager, graduated with a degree in photography, but traveled back to her home country to work on Aeronautics in the Backyards, a book of drawings, photos and stories of these self-taught hobbyists, mainly working on remarkably small budgets and scrounging for scraps and parts.
For the project, Xu traveled across China to speak with and photograph eight different farmer-aeronauts working on different projects. “Some of these aeronauts have worked for decades but never achieved to get airborne,” says Xu. “Although that might sound like a waste of time, they see it differently. For them, the game is not about how far or high they can fly, it’s about pushing their boundaries in order to achieve the impossible. They call it real-life science-fiction.”
One man she interviewed recalled how he got started: “My first aircraft cost me less than 10,000 CNY and all the materials and parts I made to build it were just one-offs, because I knew the first aircraft wouldn’t be perfect and would end up as firewood like the model airplanes I made before. I used the money I earned from the first aircraft to make my second aircraft, Wang Qiang No.2.” Others tell stories of midair stalls and watery crash-landings — the stakes are high when flying.
As for why they do it, the answers vary — one sums the mystery of motivation up well: “I cannot give a reason for why I want to fly. Maybe this is just how human beings evolve: we ride horses, ride bicycles, drive cars, and then fly an airplane. I fly as best I can. It’s my dream, my joy. It’s pretty much my life.”
The post Backyard Aeronautics: Chinese Farmers Who Also Make Flying Machines first appeared on WebUrbanist.
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[ By WebUrbanist in Technology & Vehicles & Mods. ] A combination of rugged and road-worthy, this self-balancing electric scooter boasts quick-start functionality and speeds of up to 25 mile per hour, perfect for scooting through (and around) traffic in congested cities for hours on […]
Technology
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A combination of rugged and road-worthy, this self-balancing electric scooter boasts quick-start functionality and speeds of up to 25 mile per hour, perfect for scooting through (and around) traffic in congested cities for hours on a single charge. For those already into Bird, Lime or other private scooter share programs (but frustrated with hunting for them in the wild), this device represents a potential leap up in durability, maneuverability, customizability, acceleration and speed.
Developed by California-based product designer Nathan Allen, the Stator has oversized wheels connected to a single-tube frame and a single, wraparound handlebar with an electronic control unit (turned on by a wireless RFID tag or standard key.
Modularity is part of the design’s charm, which is made up of components that can be swapped out and customized, including the seat, headlights, brake lights, phone chargers and holders, custom racks and rack bags.
It’s powered by a 1000W geared motor and a 20-Ah, 48-volt, lithium-ion battery pack tuckedi not the baseboard. Different power settings can be used to achieve better performance or balance energy usage.
At 90 pounds, it won’t be easy to lug around, but if you’re cruising urban streets that shouldn’t be an issue, and the extra weight helps provide extra features, like: regenerative brakes paired with front-wheel hydraulic disk braking. For now, it’s still a prototype, but its creator hopes to roll out models for sale in the near future.
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